Track Review

It’s no surprise that in order to make it, you have to know how to get people hooked. Soundtrackk’s newest single, ‘Whip’, is a clear indication that following trends can get you anywhere. The track starts with this atmospheric feel of the keyboard synth. It perfectly encapsulates the mainstream indie pop electronic sound that has […]

Some create music to entertain, but some give you something to hold onto even when faith feels fragile. That’s Stephen Royal’s “Pray”, and it sits quietly between a testimony and a conversation with God. Stephen Royal is an American singer-songwriter known for his vibrant, soulful music. With Pray, he embarks on a new journey led

Some tracks force romance with overused, empty clichés but Kevin Honold naturally lets it happen. With a knack for lived-in storytelling and warm sonic palette, he offers chemistry and sticky-sweet affection with his latest single “Honey”. Kevin Honold is a singer-songwriter and multi-instrumentalist from New Jersey, currently living in Jersey City with his wife Tina

You’ve gotta love it when young, talented artists know exactly what they’re doing, because when you listen to Edie Yvonne’s “Nightmare”, you won’t get something half-baked. You’ll get something restrained and painfully self-aware, getting real with unhealthy attachments—no filter, no excess. Edie Yvonne is a young artist from Los Angeles known for her alternative, indie

“Falling in the Dark” is one of those debut tracks that doesn’t tiptoe into the room; it saunters in, flicks the lights off, and goes, “Okay, we’re doing feelings now.” It’s the first official appearance of Dean RÖK, and honestly, it already feels like he skipped the “shy experimental phase” most new projects have and

“Come Out Lazarus I – Life Is Over” doesn’t behave like a typical opening track. Instead of easing the listener into People Zero, the concept album by Andrea Pizzo and The Purple Mice, it drops you straight into its emotional and philosophical deep end. As the first chapter of People Zero, the song functions less

“Even Steven” arrives with a grin on its face and a strange little secret under the hood. At first listen, it sounds like a lost single from some alternate late-’70s radio dial; it’s warm, slightly off-kilter and charming in the way only songs with actual personalities can be. But behind that easygoing retro glow is

Omnesia’s take on “Dirty Love” isn’t just a cover so much as it is a controlled detonation of Frank Zappa’s original spirit, rebuilt with modern tools and a deliberately unstable sense of identity. Where Zappa’s version was sleazy, satirical, and knowingly grotesque, Omnesia approach the song like a piece of “future vintage” art; something dug