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LATEST REVIEWS
Protected: The Art of Precision and Chemistry in DCxPC Live Vol. 50: Rebelmatic Live at Main Drag
Betty Moon’s “Strangely Beautiful” Is For Yearning, Wanting, And Everything In Between
The Burton D’Agostini Procedure’s “Strange Condition” Is Peculiar in The Best Possible Way
Listen to Drea Dominique’s “Roll” If You Feel Like Texting That Person at 2 AM
Brian Asha’s “Mighty Man” Is A Pretty Good Song If You’ve Got an Ego to Feed
Sheldon Mashugana’s “Monster Mash” Gives You a Little Halloween Mischief
Sacha Mullin’s Social Touch Makes Pop a Little More Unpredictable
Getting Preached To Never Sounded This Good With Stephani Ezatoff’s “Run On”
Occurrence’s Anniversary: An Electronic Retrospective
QUINTESSE feat. KARL JOSEF’s “On my way” Is Your Sign to Keep Going
TRACK REVIEWS
The Burton D’Agostini Procedure’s “Strange Condition” Is Peculiar in The Best Possible Way
Listen to Drea Dominique’s “Roll” If You Feel Like Texting That Person at 2 AM
Brian Asha’s “Mighty Man” Is A Pretty Good Song If You’ve Got an Ego to Feed
Sheldon Mashugana’s “Monster Mash” Gives You a Little Halloween Mischief
Getting Preached To Never Sounded This Good With Stephani Ezatoff’s “Run On”
QUINTESSE feat. KARL JOSEF’s “On my way” Is Your Sign to Keep Going
Plain Drifter’s “Cracks in the Mirror” Is Rock With Nothing to Hide
Jesse Posis Delivers a Timeless Bossa Nova Romance on ‘Ako at Ikaw Magpakailanman’
Trey Bruce’s “All Americans” Isn’t Here to Make You Comfortable
You’ll Probably Recognize Yourself Somewhere In fernvie’s “Dito Muna Tayo sa Pagitan”
EP REVIEWS
Betty Moon’s “Strangely Beautiful” Is For Yearning, Wanting, And Everything In Between
Occurrence’s Anniversary: An Electronic Retrospective
Lyons Lane “You’ll Talk About It!” Is Exactly What Its Title Promises
It’s Hard Not To Get Lost In Reetoxa’s “Double A Side 2 (Akaroa / Erica And The Stars)”
Apparently, Rock Sounds Better With A Good Story and “3” By Lyndo Jaco Proves It
Making Peace With The Past Sounds Like “Ghosts and Logic” by Eli Wise
Energy Whores’ “Invisible” Comes In Four Ways, And Somehow They All Work
Rhythm Meets Atmosphere: Jimmy Codean’s 757
Lior Golan Keeps Rock Burning in “MIDNIGHT TRAINS”
Mystic Highway Road Trip By Downtown Mystic Brings Back the Earnest Spirit of Rock N’ Roll
ALBUM REVIEWS
Protected: The Art of Precision and Chemistry in DCxPC Live Vol. 50: Rebelmatic Live at Main Drag
Sacha Mullin’s Social Touch Makes Pop a Little More Unpredictable
Translucent Veil On Dreams, Change, and Becoming
SEGANA’s Midnight Masquerade Is More Than Dance in Disguise
Dorian’s “RECONNECTED” Is An Honest Conversation Between Generations
Maybe 19 Years Was Exactly What Brendan Ranney Needed for “Slightly Out of Focus”
Wyatt Espalin’s “Lies From the Lonesome Valley” is What Happens When Americana Refuses to Feel Produced or Curated
Aeroplane Isn’t Trying to Wow You With Complexity
Matt Wolejsza’s “The Beast I’m Meant to Be” Isn’t Loud For No Reason
Degeneration Simply Reminds You That Rock Music Never Left
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