Ian Ureta

A tenured media critic known working as a ghost writer, freelance critic for publications in the US and former lead writer of Atop The Treehouse. Reviews music, film and TV shows for media aggregators.

Under the Influence Vol 4.2.0 Side A by Khern$ is here to rewrite the rulebook, dazzle your eardrums, and raise the bar so high you’ll need a telescope to see it

Under the Influence Vol 4.2.0 Side A is the latest installment in Khern$‘s annual tradition, dropping every April 20th like clockwork. It’s an artistic ritual that’s as much about personal reflection as it is about celebrating the hustle. But don’t let the 4/20 release date fool you; this mixtape isn’t about to drop a bunch […]

Under the Influence Vol 4.2.0 Side A by Khern$ is here to rewrite the rulebook, dazzle your eardrums, and raise the bar so high you’ll need a telescope to see it Read More »

NONXM isn’t interested in being king, they’re too busy enjoying the real world

There’s a rare and deeply underappreciated serenity that settles in when you start a rap album and realize that it has absolutely no interest in being a TikTok trend. No trap-snare tantrums engineered for 15-second dopamine loops. No wink-wink challenges for teenagers in LED-lit bedrooms. No frantic metaphors desperately auditioning for a slot on a

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Lonely Boy makes you dance and question your life choices at the same time.

Lonely Boy by Joveth isn’t just your typical “sad guy with a synthesizer” project. This EP isn’t here to quietly sob in the corner. It’s here to grab you by the collar, slap you across the face with a wall of synths, and scream at you to feel emotions or something. And honestly? Respect. Joveth

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Marcus: the Apex Predator! has come back sharper, heavier, and somehow even more urgent than before

Seven years. That’s how long it’s been since The Fury of Almost exploded onto the scene like a flaming dumpster rolling downhill, fueled by Detroit street grime and pure, unfiltered spite. Seven years of silence. Seven years of waiting, wondering was Marcus: the Apex Predator! just another underground rock ghost story? Another cautionary tale of

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NOSTALGIA makes it very clear that UraelB isn’t just here to rap, he’s here to drop you headfirst into his world

Every so often, an EP comes along that just “becomes” a story. Not in the lazy, “let’s throw in some skits and call it a concept album” way, but in the way that grips you by the collar and drags you headfirst into a fully realized world. NOSTALGIA does exactly that. It doesn’t just evoke

NOSTALGIA makes it very clear that UraelB isn’t just here to rap, he’s here to drop you headfirst into his world Read More »

“Liberation” & proving once and for all that the genre is alive, kicking…

ZZ Ward has always been kind of a blues artist, but she’s also kind of been a rock artist and kind of a pop artist all throughout her career. As of now, well, that’s over… because Liberation is the sound of ZZ Ward finally giving up on trying to be palatable and instead deciding to

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AI makes diss tracks now? Let’s talk about Gnominem (Satirical Diss)

AI makes diss tracks now? Let’s talk about Gnominem (Satirical Diss) by Sasha Prime. This is a track that exists at the strange intersection of battle rap, artificial intelligence, and what I can only assume is some kind of elaborate performance art. If you’ve ever wondered what would happen if a computer tried to start

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