New Music

“On Vancouver Island” by tcr! Is A Lo-Fi Indie Rock Track Recorded Mid-Breakdown

You just gotta love it when an artist doesn’t play nice. And no, this isn’t about some loud, try-hard edgy thing, but the kind that sounds like it was recorded mid-breakdown, then left it that way. On Vancouver Island by tcr! sits in that same vibe, giving you something that feels unstable and weirdly alive […]

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The Vault 2 by C’batch Rewards Patience, Attention, and a Willingness to Sit With Repetition

There’s a particular kind of music release that doesn’t really care whether you experience it as an “album” in the modern, tightly curated, playlist-optimized sense, and instead behaves more like someone opening a vault and saying: here, this is everything, take your time. The Vault 2 by C’batch is exactly that kind of project; a

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Blueprint Tokyo Aren’t Trying to Convince You That Everything Will Be Okay on Dark New Days EP

There is a very specific emotional space that rock bands love to gesture toward but almost never commit to living in, and that space is the middle of things. Not the cinematic beginning where everything is charged with meaning, not the triumphant or devastating ending where everything finally makes sense, but the long, ambiguous stretch

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C’batch’s “Trapped (I’m Doing Fine)” Isn’t a Track Trying to Overwhelm You With Contrast

C’batch’s “Trapped (I’m Doing Fine)” returns not so much as a remix but as a kind of technological séance; an instrumental from another era summoned back into the present and politely asked to develop a personality. It obliges. Where once there was groove, now there is groove with intent, which is always a dangerous upgrade.

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“Let’s Just Go” Opens With the Kind of Confidence That Suggests Sweet Mess Are Very Aware of What They’re Good At

“Let’s Just Go” opens with the kind of confidence that suggests Sweet Mess are very aware of what they’re good at and more importantly, that they’ve stopped pretending to be anything else. Which is interesting, because this is a band whose identity, until fairly recently, was tied up in being a really good cover act.

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I.K.P.’s PSYCHE Is For Those Who Want Hip-Hop Lived Not Performed

When an artist knows how not to get lost in bravado and noise, you’ll get something like I.K.P’s latest EP, PSYCHE. And it’s not your average hip-hop because at its core are lived experiences that make each track feel earned instead of performed. Kenny M. Alvarez, known artistically as I.K.P. (The Infamous King of Positivity),

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Inception Of Eternity’s Mother of Dawn Feels Like An Impending Doom

When a metal track sounds exactly like an impending doom, you know you’re in for something for something cool and real. Because what is metal without that haunting, thunderous feel? And if you’re into that kind of vibe, Inception Of Eternity’s Mother of Dawn is back in the scene to give you that exact edge.

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SURF COWBOY ANARCHY: WHY THE WORLD NEEDS THE UNFILTERED GRIT OF NIK XANDIR WOLF

“A riotous blend of outlaw twang and concrete-scraping grunge that demands the volume knob stay turned to the right.” Nik Xandir Wolf walks into the room with the kind of swagger that only belongs to someone who has spent too much time under the sun and not enough time worrying about what the industry thinks

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