Album Review

Sacha Mullin’s Social Touch Makes Pop a Little More Unpredictable

Pop can be intelligent without being brainless; intelligent music doesn’t have to sound like a written assignment. And as for everything in between, that’s where Chicago-based singer-songwriter Sacha Mullin has lived since the beginning. Now, with Social Touch, his fourth solo album, he explores further into pop territory without sacrificing the idiosyncratic time signatures, experimental

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Dorian’s “RECONNECTED” Is An Honest Conversation Between Generations

If you miss the emotional honesty of early-2000s R&B, Dorian’s RECONNECTED might be right up your alley, a record about opening up, healing, and finding your confidence along the way. Artists like Brian McKnight and Usher have long understood how to turn heartbreak and yearning into something almost comforting and easily digestible, something you could

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Maybe 19 Years Was Exactly What Brendan Ranney Needed for “Slightly Out of Focus”

There’s something so fitting about calling an album Slightly Out of Focus when the whole thing feels like it was pulled from the blur between memory and the present. And to think that it took 19 years for Brendan Ranney to release it to the world just makes the album feel more earned and personal.

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Wyatt Espalin’s “Lies From the Lonesome Valley” is What Happens When Americana Refuses to Feel Produced or Curated

Let’s be real. It’s not every day you’ll come across music that sounds like it was a collection of stories overheard in county fairs, desert roads, and front porches long after midnight. That’s what makes Wyatt Espalin’s Lies From the Lonesome Valley stand out immediately. With 11 tracks in total, he steps on the stage

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Matt Wolejsza’s “The Beast I’m Meant to Be” Isn’t Loud For No Reason

The best part about a debut album is when it’s not trying to be. It arrives as is, not algorithm-friendly nor for anything outside of itself. That’s the exact posture of The Beast I’m Meant to Be by Matt Wolejsza the moment it begins to play—unfiltered, personal, and deeply artistic instead of something like a

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The Vault 2 by C’batch Rewards Patience, Attention, and a Willingness to Sit With Repetition

There’s a particular kind of music release that doesn’t really care whether you experience it as an “album” in the modern, tightly curated, playlist-optimized sense, and instead behaves more like someone opening a vault and saying: here, this is everything, take your time. The Vault 2 by C’batch is exactly that kind of project; a

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