There is a specific kind of desperation that only lives on a phone screen at 3 AM when the blue light hits your face and you know you are making the exact same mistake for the third time this month. KD Malavic understands this wreckage perfectly and his track ‘Nothing’ is the anthem for everyone […]
Situationship Sickness Never Sounded So Sweet Read More »
CHXSNG STXRS finds a way to make the void feel welcoming on Embrace by weaving a thread of hope through a backdrop of midnight synths and heavy bass. It feels like the first breath of cold air when you walk out of a crowded club at 3 AM because the air is heavy yet oddly
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“A!MS orchestrates a masterclass in collaboration that bridges the gap between old-school So Solid grit and the high-gloss future of the London scene.” A!MS pulls off a masterstroke of casting on Wait What by corralling the kind of heavy hitters that usually only meet on award show red carpets but here they sound like a
A!Ms Unites the UK Rap Heavyweights for a Victory Lap That Feels Like a Block Party Read More »
Covering a classic track has some high standards attached to it because let’s be honest — if you’re not bringing something new, why even touch it? But Motihari Brigade understands that what Fortunate Son needs isn’t a flat, clean rendition carried by nostalgia alone. It needs layers of friction, grit, and distortion like it could
Motihari Brigade’s “Fortunate Son” Feels Like It Could Start A Revolution Read More »
You just gotta love it when an artist doesn’t play nice. And no, this isn’t about some loud, try-hard edgy thing, but the kind that sounds like it was recorded mid-breakdown, then left it that way. On Vancouver Island by tcr! sits in that same vibe, giving you something that feels unstable and weirdly alive
“On Vancouver Island” by tcr! Is A Lo-Fi Indie Rock Track Recorded Mid-Breakdown Read More »
C’batch’s “Trapped (I’m Doing Fine)” returns not so much as a remix but as a kind of technological séance; an instrumental from another era summoned back into the present and politely asked to develop a personality. It obliges. Where once there was groove, now there is groove with intent, which is always a dangerous upgrade.
C’batch’s “Trapped (I’m Doing Fine)” Isn’t a Track Trying to Overwhelm You With Contrast Read More »
“A shimmering anthem for the girls who belong to the city streets and the music that keeps them there.” The city lights blur into a single streak of neon when the first few bars of Downtown Girl by Angele start to play. This track grabs that frantic pulse of urban life without the usual cynicism
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“Heavy blankets of noise meet pop-driven clarity in a track that feels like the best kind of cold morning wake-up call.” Rivermind emerges from Switzerland with Nightlight and it feels like a heavy blanket being ripped off a window to let the cold morning air rush in. The band marries thick distortion with melodies that
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“Let’s Just Go” opens with the kind of confidence that suggests Sweet Mess are very aware of what they’re good at and more importantly, that they’ve stopped pretending to be anything else. Which is interesting, because this is a band whose identity, until fairly recently, was tied up in being a really good cover act.
When a metal track sounds exactly like an impending doom, you know you’re in for something for something cool and real. Because what is metal without that haunting, thunderous feel? And if you’re into that kind of vibe, Inception Of Eternity’s Mother of Dawn is back in the scene to give you that exact edge.
Inception Of Eternity’s Mother of Dawn Feels Like An Impending Doom Read More »