Kate Clarice Lee

Kate Clarice Lee is a psychology major in Ateneo de Naga University with a knack for music and writing. She takes interest in playing guitar, poetry, creative writing, and lyrics that—subjectively—hit close to home. Kate mostly enjoys indie, alternative, pop & punk rock music.

Kristen Castro’s “Summer Rain” Should Be The First Track On Every Indie Film OST

Okay, first of all, the initial vibes of “Summer Rain” is absolutely immaculate. From the drum part at the beginning to the lively riff that follows sounds like The 1975 at the beach, and when the vocals kick in, it’s as if Greg Gonzalez is collaborating with said band. Plus, you get a nostalgic visual

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PostHumanX Takes Metal To A Whole ‘Nother Level With “Fear Reigns”

This one’s for those who know how to appreciate the art of metal music, or if you’re looking for a change of genre, or perhaps if you want some well-arranged noise in your system, “Fear Reigns” is an album to consider. It takes metal as a type of experience, something that shouldn’t be considered as

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Start Your Day With Drawing Mazes’ “Sunday Morning Pancakes”

Sometimes, we need moments where we take things slow and truly cater to what our well-being needs. It can be through savoring the day by doing activities we enjoy, or attending to details that we’ve neglected due to high stress situations. Point is, we’ve got a soundtrack for those certain moments: introducing “Sunday Morning Pancakes”,

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“We Are All Bots” by Andrea Pizzo And The Purple Mice Is Out Of This World

There’s nothing more intriguing than a record that excels in musical immersivity and depth of what it’s actually all about. “We Are All Bots” tackles the field of technology, particularly artificial intelligence. It clearly offers a sense of awareness of the growing societal issue of people relying far too much on these resources, all the

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Is Stephanie Bettman’s “Out Of The Darkness” A Musical Waiting To Happen?

With a whopping fourteen songs, each and every one seems to have its own personality, yet it’s distinctly part of the collective whole that is this album. It’s far from stagnant, as it features a handful of genres – pop, funk, a bit of rock and even latin fusion – through them, Stephanie Bettman was

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