“The Crow” Doesn’t Sound Tentative or Experimental; It Sounds Assured, Like the Work of an Artist Comfortable Inhabiting Emotional Gravity Without Apology
There’s something quietly audacious about releasing a song called “The Crow” and then opening it like you’re trying to resurrect the emotional gravity of a lost Roy Orbison ballad. Arn-Identified Flying Objects and Alien Friends doesn’t just flirt with that lineage; it commits to it fully, leaning into melodrama, loneliness, and old-school romantic despair with […]









