New Music

Come Out Lazarus I – Life Is Over Is Cinematic, Emotional and Quietly Daring

“Come Out Lazarus I – Life Is Over” doesn’t behave like a typical opening track. Instead of easing the listener into People Zero, the concept album by Andrea Pizzo and The Purple Mice, it drops you straight into its emotional and philosophical deep end. As the first chapter of People Zero, the song functions less […]

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By Embracing Distortion, Ambience and Melancholy, EL$ON Has Crafted a Project That Feels Cohesive and Emotionally Grounded.

There’s a specific kind of tension that runs through Sorry Not Sorry, the second EP from London-based singer, songwriter, and producer EL$ON. It’s the tension between wanting to move on and not quite being ready to let go. This project feels less like a comeback and more like a confession. The shift in identity isn’t

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An Dan’s “Blood Flooded Song” EP Is A Cursed Legend In Heavy Metal

If you’ve never heard a collection of tracks that feels less like music and more like a medieval arc series, An Dan’s “Blood Flooded Song” EP definitely works like a tragic manuscript where love isn’t nostalgia but a legend and damnation passed down through generations. An Dan is a five-man heavy metal Greek band based

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“Even Steven” Is Playful, a Little Weird and Ultimately Sincere

“Even Steven” arrives with a grin on its face and a strange little secret under the hood. At first listen, it sounds like a lost single from some alternate late-’70s radio dial; it’s warm, slightly off-kilter and charming in the way only songs with actual personalities can be. But behind that easygoing retro glow is

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Giffy Plugo’s “Douda Deluxe” Isn’t Just Hip-Hop, It’s A Legacy

You’ll definitely understand why Giffy Plugo describes “Douda Deluxe” as a grown-man rap. In a pool of albums built out of trends and never-ending clout, there are few records that carry authenticity while remaining firmly grounded. To cut it short, this is swag that isn’t borrowed but something that’s earned. Giffy Plugo is a Chicago-born

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What Ultimately Makes Omnesia’s “Dirty Love” Work Is Its Comfort With Contradiction

Omnesia’s take on “Dirty Love” isn’t just a cover so much as it is a controlled detonation of Frank Zappa’s original spirit, rebuilt with modern tools and a deliberately unstable sense of identity. Where Zappa’s version was sleazy, satirical, and knowingly grotesque, Omnesia approach the song like a piece of “future vintage” art; something dug

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Jernej Zoran’s “Watching The World Go By” Feels Like a Sunlit Window on a Sunday Morning

You’ll definitely know when an artist poured their soul when their music feels less like a performance and more like a shared moment. That’s Jernej Zoran’s “Watching The World Go By”, and it leaves you with something to hold onto as if it knows the weight of the things you carried through. Hailing from Novo

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Vincent Projects Offers Something Refreshingly Straightforward: Heavy, Melodic, Theatrical Rock That Sounds Like It Escaped From Another Era and Decided to Stick Around

I guess the easiest way to explain this EP is to say that Vincent Projects sounds like someone found a lost heavy metal band from the late ’70s, right before they accidentally flew into the Bermuda Triangle, and decided to finish mixing the tapes out of sheer curiosity. Not in a nostalgia-bait, “remember when rock

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