New Music

At Its Core, Sehore’s Husfikbur Is a Continuation of a Project Designed to Stir Conscience

When Mdou Moctar released Afrique Victime in 2021, the critical response was pretty unanimous: this was a landmark. Not just in the nebulous “best of the year” sense, but in the way you talk about a record that feels both timeless and urgent. It was a guitar album that sounded like it could summon a […]

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Haven’s “Everything Wants You When You Want Nothing” Isn’t Healing In Textbook Form

You know what hits harder than any romantic heartbreak? It’s being caught, attached in a friendship that was never genuine in the first place. And what you’ll get from Haven’s latest EP “Everything Wants You When You Want Nothing” isn’t a mere story of pain and escape. It’s breaking away from being drained, diminished, and

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The Daytime High’s “Beauty In the Sky” Is Redemption and Transformation In Sound

If you want to feel seen, validated, and reminded of your own strength, The Daytime High is back with a compelling, high-energy track “Beauty In the Sky“. And this isn’t just another forced, half-hearted attempt to make you feel good. It’s transformation translated into one compact sound that’s infectious and uplifting. You’ll find yourself jamming

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Obscentra Is a Storm in Neon Lighting, and Alessiah Controls It With Unnerving Precision

Most people celebrate their eighteenth birthday with cake, bad photos, and maybe one of those “haha, I’m legal now” jokes that’s only funny if you’re drunk. Alessiah, on the other hand, decided to release Obscentra, her debut album. Because why settle for a party when you can drop a meticulously crafted, emotionally destructive pop record

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Mike Masser’s “5” is Less Like A Comeback and More of a Reckoning

Music needs balance. Focus on technicalities, it’ll turn empty. Pour too much of emotions, it’ll drift away. You will find Mike Masser’s latest album, “5” in the middle, dominating the stage with a vengeance that feels less like a comeback and more of a reckoning. After 4 years, the US-based artist Mike Masser is back

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American Grim’s “Secrets of Roswell” Is Paranoia Made Audible

Here’s the thing about conspiracy theories: they’re never really about aliens, or lizards, or whatever cryptid you’ve decided stole your uncle’s cows. They’re about trust. Or, more accurately, the lack of it. American Grim’s “Secrets of Roswell” understands this. Sure, it throws the word “Roswell” around and sprinkles in your classic UFO jargon but it’s

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Anna Dahl’s Little Bit Country Is a Glittery-Boot-Kick Away From the Regular

If you Spotify, click on whatever playlist is curated by a man in a Nashville office who probably has the word “synergy” written on his whiteboard, you’ll likely be assaulted by a wave of bright voices, stadium-ready choruses, and lyrics about tailgates that sound suspiciously like they were assembled by AI. It’s a genre where

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