Protected: Garrett Anthony Rice’s “The Coastal Walls (The Shame Of Everyone)” Is A Blues-Laced History Lesson Bleeding Through Sound
There is no excerpt because this is a protected post.
New Music
A!Ms Unites the UK Rap Heavyweights for a Victory Lap That Feels Like a Block Party
“A!MS orchestrates a masterclass in collaboration that bridges the gap between old-school So Solid grit and the high-gloss future of the London scene.” A!MS pulls off a masterstroke of casting on Wait What by corralling the kind of heavy hitters that usually only meet on award show red carpets but here they sound like a
A!Ms Unites the UK Rap Heavyweights for a Victory Lap That Feels Like a Block Party Read More »
Mark Moule’s “Only Love” Isn’t Afraid To Take Up Space
Sometimes, all it needs is a friend, his music room, and a stubborn idea that kept looping for years to create a masterpiece like Mark Moule’s debut EP, Only Love. Mark Moule is a singer-songwriter from Busselton, Australia, whose deeply emotional writing style carries traces of legends like Cat Stevens and Phil Collins. And that
Mark Moule’s “Only Love” Isn’t Afraid To Take Up Space Read More »
Motihari Brigade’s “Fortunate Son” Feels Like It Could Start A Revolution
Covering a classic track has some high standards attached to it because let’s be honest — if you’re not bringing something new, why even touch it? But Motihari Brigade understands that what Fortunate Son needs isn’t a flat, clean rendition carried by nostalgia alone. It needs layers of friction, grit, and distortion like it could
Motihari Brigade’s “Fortunate Son” Feels Like It Could Start A Revolution Read More »
“On Vancouver Island” by tcr! Is A Lo-Fi Indie Rock Track Recorded Mid-Breakdown
You just gotta love it when an artist doesn’t play nice. And no, this isn’t about some loud, try-hard edgy thing, but the kind that sounds like it was recorded mid-breakdown, then left it that way. On Vancouver Island by tcr! sits in that same vibe, giving you something that feels unstable and weirdly alive
“On Vancouver Island” by tcr! Is A Lo-Fi Indie Rock Track Recorded Mid-Breakdown Read More »
The Vault 2 by C’batch Rewards Patience, Attention, and a Willingness to Sit With Repetition
There’s a particular kind of music release that doesn’t really care whether you experience it as an “album” in the modern, tightly curated, playlist-optimized sense, and instead behaves more like someone opening a vault and saying: here, this is everything, take your time. The Vault 2 by C’batch is exactly that kind of project; a
Blueprint Tokyo Aren’t Trying to Convince You That Everything Will Be Okay on Dark New Days EP
There is a very specific emotional space that rock bands love to gesture toward but almost never commit to living in, and that space is the middle of things. Not the cinematic beginning where everything is charged with meaning, not the triumphant or devastating ending where everything finally makes sense, but the long, ambiguous stretch
C’batch’s “Trapped (I’m Doing Fine)” Isn’t a Track Trying to Overwhelm You With Contrast
C’batch’s “Trapped (I’m Doing Fine)” returns not so much as a remix but as a kind of technological séance; an instrumental from another era summoned back into the present and politely asked to develop a personality. It obliges. Where once there was groove, now there is groove with intent, which is always a dangerous upgrade.
C’batch’s “Trapped (I’m Doing Fine)” Isn’t a Track Trying to Overwhelm You With Contrast Read More »
Neon Nights and Subway Dreams
“A shimmering anthem for the girls who belong to the city streets and the music that keeps them there.” The city lights blur into a single streak of neon when the first few bars of Downtown Girl by Angele start to play. This track grabs that frantic pulse of urban life without the usual cynicism
Neon Nights and Subway Dreams Read More »
A Gritty Distortion-Drenched Flare From the Swiss Underground
“Heavy blankets of noise meet pop-driven clarity in a track that feels like the best kind of cold morning wake-up call.” Rivermind emerges from Switzerland with Nightlight and it feels like a heavy blanket being ripped off a window to let the cold morning air rush in. The band marries thick distortion with melodies that
A Gritty Distortion-Drenched Flare From the Swiss Underground Read More »