New Music

Calling an album Nothing Lasts Forever usually feels like an open invitation to wallow, but Brock Davis takes the opposite route. Instead of leaning into doom or melodrama, his latest record lands somewhere far more human: reflective, grounded, and quietly reassuring. It’s an album that understands impermanence not as a threat, but as a reason […]

There’s a particular kind of music discourse that insists albums must behave themselves. They should have a clear narrative arc, a neat emotional progression, and a “correct” listening order you’re morally obligated to respect. Douby, the debut album from DJ SoulChild AC, does not care about any of that. And thank God. Releasing on February

There are two kinds of “space albums.” The first kind slaps a nebula on the cover, adds some reverb, and calls it a day. The second kind actually commits to the bit, builds a whole emotional ecosystem in zero gravity and asks you to float there for 45 minutes. Zero Hour: Genesis is very much

As someone who has been producing, writing, advising, and arranging songs, doing it alone on my foundational years was scary because you want to put out a product that you can be proud of, but TRXPSCO’s newest album of the same name did that unthinkable and did everything alone. Let me discuss the tracks in

There are two ways to approach a project like ai12DIE. One is to roll your eyes and say, “Oh good, the robots are rapping now.” The other is to lean in and ask, “Okay, but what if the robot has feelings about it?” Black Astronaut Records, under Charles Luck, very decisively chooses option two and

Imagine, for a moment, that you are sitting in a quiet room at 2 a.m., staring at the ceiling, having what I like to call “The Big Emotional Think.” You know the one. The one where you suddenly remember every regret you’ve ever had, every awkward conversation, and every slightly questionable life choice. Now imagine