New Music

GUILT SHOW BARE THEIR TEETH AND THEIR TRAUMA ON A PUNISHING SLAB OF POST-HARDCORE

“The independent outfit trades polite indie sensibilities for throat-shredding anxiety on their latest abrasive outing.” To promise an emotionally devastating debut without the backing of a major label requires a special kind of masochism, but that is exactly what independent outfit Guilt Show delivers on ‘Vaya Con Dios’. In a musical climate obsessed with sanitized, […]

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Take a Seat and Turn It Up with The Fine Chairs’ Wait To Be Seated

Some albums feel like walking into a place where everything is already happening all at once. The lights are on, people are talking, and music fills the room. Then others feel like standing outside the door for a moment and listening to the sounds inside, wondering what you’re about to step into. That small pause

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Wild River Is Built for Ecstatic Dance Floors, Conscious Festivals and Late-Night Club Systems Alike

There was a very specific moment in the early ’90s when producers collectively decided that the solution to any musical idea was, simply, to put a house beat under it. Didn’t matter what “it” was. Folk song? Add a four-on-the-floor. Eurodance hook? Obviously. Traditional tune your uncle plays at weddings? Give it a kick drum

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“Snake Charmer” Is a Track That Feels Reflective, Slightly Surreal and Quietly Haunting

Some songs about addiction approach the topic like a documentary: clear narrative, grim realism, moral lesson at the end. Others treat it more like a hallucination; something slippery, strange, and emotionally disorienting. “Snake Charmer,” the latest track from Moon Construction Kit, falls very firmly into the second category. Moon Construction Kit is the solo project

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Brian Bee Frank Ignites a Raw Rock Odyssey in ‘Chasing the Dragon’

Brian Bee Frank’s first solo EP, Chasing the Dragon, blends the vibe of a Swedish studio with memories from the 1960s. On the lead single “Hate,” he reflects on his youth to find lessons for today’s divided world. The track “Time” feels like watching a sunset you wish would last a little longer. The song

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For Listeners Who Enjoy Dense Lyricism and Cinematic Beats, Infamous Wizzardy 2 Delivers Exactly What It Promises

Hip-hop sequels are a risky move. Not in the dramatic, “the entire genre hangs in the balance” sense, but in the quieter, more familiar way that sequels in general tend to be risky. For every follow-up that expands the world and sharpens the idea, there’s another that mostly exists because the first one did reasonably

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“The World Inside” by The Iddy Biddies Is Playing Chess in a Game of Checkers

I’m a firm believer that the musicians and the artists of today are much more skilled compared to when I was starting 2 decades ago. You have all the resources you need, hence the game right now is being authentic. Let me introduce you to The Iddy Biddies and their sophomore album, “The World Inside,”

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Space Heartbreak Is Confidently, Unironically and Cosmically Romantic

There’s a very specific kind of confidence required to call your debut project Space Heartbreak. Not just “Heartbreak.” Not just “Late Night Feelings.” No. We’re going to space. We are leaving the planet. The emotional damage will be intergalactic. And honestly? Fair enough as Space Heartbreak doesn’t rely on big, dramatic sci-fi theatrics or overblown

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Stylus Feels Like What Happens When Someone Who Genuinely Loves Rock Music Keeps Showing Up to Do the Work

There’s something deeply funny about calling your album Stylus in 2026. In an era where most people experience music as an invisible algorithmic vapor piped directly into their ears by a Swedish tech company, Dave Lebental has named his second solo LP after the tiny physical needle that drags through vinyl grooves. It’s like naming

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