Love songs are difficult to write. Music has been churning them out for centuries with varying degrees of sincerity and alarming levels of acoustic guitar, but because to make one now, in an era where emotional vulnerability is often filtered through layers of irony or buried under overproduction, requires a certain willingness to be painfully […]
There are certain kinds of tracks that sound like written half drunk in a studio where no one’s trying to be careful—just plain, honest thoughts spilling over before anyone could try to filter them. War Killer by Reetoxa sounds exactly like that, giving you something that leans into instinct rather than polish. After the light,
War Killer By Reetoxa Is What Punk Sounds Like When It Still Means It Read More »
There’s a certain kind of album that basically introduces itself before you even press play. Like it wants you to know exactly how it was made so you’ll listen a little differently. Aeroplane by Connie Lansberg is very much that kind of album. In this instance, the setup is kind of the whole hook: one
Aeroplane Isn’t Trying to Wow You With Complexity Read More »
Some of the best tracks aren’t filled with complexities or instant hooks. Sometimes, they sound like MILYAM’s Lost In The Jungle where mood, subtlety, and restraint takes control of the whole experience. There’s something so hypnotic right from the start, like briefly glancing at something only to realize after a minute that you’re completely stuck
MILYAM’s “Lost In The Jungle” Is Subtle And Immersive Read More »
Some songs don’t play like an old vinyl on a Sunday afternoon. Sometimes, it sounds closer to a document stained with blood, sweat, and mud, like Garrett Anthony Rice’s The Coastal Walls (The Shame Of Everyone). Now based in Greystones, County Wicklow, Garrett Anthony Rice carries a sound inspired by The Smiths, Neil Young, and
The humidity of a Manila midnight clings to the air like a secret and there is something about the way the streetlights hit the wet asphalt that feels like a scene from a Wong Kar-wai film. This is the exact environment where sunset blvd finds their footing with Sampaguita because the track operates less like
A Mellow Late-Night Masterwork of Filipino Indie-Pop Read More »
Pieces of the Sun by Jack Grisham and the Life Undone feels like a gasoline-soaked match dropped into a pool of late-night reflection and the track bursts into existence with a grit that only forty years in the trenches can provide. Grisham hasn’t lost an ounce of that menacing charisma that defined TSOL but here it is
The golden age of pop-punk always thrived on the friction between two voices and Used to Be Valentines has tapped into that specific electric current on their latest track Don’t Call Me Baby. It feels like catching a lightning bolt in a glass jar because the transition from a solo project to this explosive dual-vocal powerhouse brings
A High-Voltage Dual-Vocal Masterstroke That Reinvigorates Emo Tradition Read More »
Imagine a humid Manila night where the only light comes from a single flickering bulb and the soft glow of a laptop screen because that is exactly where the magic of Pula begins to take flight. His debut offering Paru-paro arrives like a quiet confession whispered into the dark and it immediately establishes his as
A WEIGHTLESS REVELATION IN THE NEW OPM UNDERGROUND Read More »
How many times have we felt the physical weight of a long-distance connection pulling at the seams of our sanity? Amenazar inhabits that precise ache in “Here For You” and he does it without the usual polish that hides the truth in modern rock. It starts with a persistent rhythm that feels like a heartbeat
Amenazar Defies Distance With a Raw and Heart-Wrenching Rock Anthem Read More »