The night before a lunar eclipse always feels strange. The sky looks normal, but people know something rare is about to happen. Some stay up late just to watch it and some take photos. Some people like me treat it like a quiet reset. That same timing surrounds Twice Born, the new release from London-based artist Steinsdotter.
The album came out just before the total lunar eclipse, which feels right. A lunar eclipse marks a change, when one phase ends and another starts. That feeling of change runs through the whole album. It brings together some of her best recent tracks while adding new songs that take her sound even further. Tracks like God’s Own Speed, 5D, HoneyBee, and Air (Ncient Remix) have helped build her reputation in the dark pop and experimental scene.
‘Return In’ hits right away with the epic feel of a cinematic score, reminding me of the grandeur of “God of War.” Steinsdotter shows her range here, blending dramatic vocal chants with orchestral power, creating an exhilarating, almost frisson-inducing experience. This energy carries into ‘God’s Own Speed,’ which slows into a smoother, simpler rhythm like a classic movie score. The mix of dark pop and melancholy, with a gentle build and layered instruments, changes the mood from epic to relaxed and danceable. It’s like moving from a powerful orchestral scene straight into a laid-back rock club.
Their track titled ‘5D’ has this minimalist, electro-pop beat. The song begins with a simple electro verse and chorus, then shifts at the end into a dancey, trap-style outro. The dry bass and close feel make it perfect for workouts. I’d definitely put it on my workout playlist.
I think ‘HoneyBee’ hinted at Steindotter’s potential in rapping as the track begins with a subtle rap intro transitioning to their trademark electro-dance music. The way the sounds are layered is beautiful, especially the riff. It really shows off the song’s polished style and the creativity behind its arrangement. Imagine if they
dropped a track infused with hip-hop vibes that would absolutely light things up.
If you like traditional Scandinavian lullabies, Steinsdotter’s ‘Trollmor’ from this album is definitely worth a listen. It feels inspired by Viking-era music, with haunting vocals and a ritual-like vibe that could fit in a movie or video game set in a deep forest. The track creates a mood that gives you goosebumps, perfect for anyone who loves epic music.
‘LDN Calling CDMX’ hits like a collision of London grit and Mexico City energy, swapping folk vibes for a relentless, high-octane beat that makes you want to hit the gas. That same rush carries straight into ‘Air (Ncient Remix),’ where the surprise intro takes your breath away and transforms Steinsdotter’s orchestral-pop into a joyful, stylish dance track, layered with airy electronic sounds that keep your heart racing.
The final track “Leonard Cohen Was Right” feels like a beautiful closing track for a series. To me, it has touches of country and old sailor folk songs. Steinsdotter’s voice is calm, almost like a lullaby, gently easing you into relaxation. Overall, the song feels soothing and nostalgic.
Other fresh tracks like “h0e$,” “The Village (Occult Hardware Remix),” and “Inspired by Gilgamesh” prove Steinsdotter isn’t sticking to the rules. With Twice Born, she mixes ancient myths, underground club vibes, Nordic traditions, and sleek electronic pop into one daring, unpredictable package that somehow just works.
Twice Born puts you in that rare space between excitement and calm. Steinsdotter moves from cinematic intensity to danceable grooves, from haunting folk-like lullabies to bold, high-energy tracks, keeping every song unpredictable. It feels like her album tells a story, showing her growth while staying true to her style. By the end, you get that satisfying feeling of one chapter ending and a new one beginning, like the sky after a lunar eclipse but with better music. It’s the kind of album that sticks with you, making you want to hit play again.
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