New Music

There’s a special kind of boldness in titling your record Grace First. It’s the sort of name that sounds like it should be stitched on a motivational pillow, but in practice becomes this sharp thesis statement: whatever else happens, whatever braggadocio or flexing or chaos exists in the record, it’s grounded in the simple idea

There’s something inherently funny about naming your album summrWondr. It looks like someone took out all the vowels because they were too expensive, but what you get in return is an accidental mission statement: no excess, no fluff, just the essentials. And that’s what this record feels like; an album stripped down to memory, sample

In 2025, it’s rare to hear a hip-hop record that feels like a record. Most “albums” now arrive as Spotify fodder: trend-chasing playlists designed by committee, padded with features from whichever TikTok darling has clout this quarter. John Keenan’s Wreckage of the Past, though, doesn’t play that game. It’s 18 tracks, entirely self-produced, with no

Here’s the thing about albums called Dream Odyssey: you expect them to be either unbearably pretentious concept records with hour-long synth drones and a booklet of poetry stapled to the sleeve, or a perfectly fine indie project about “journeys” and “growth” where the word odyssey is doing some fairly heavy lifting. Carpe Diem, a duo

Something has leaked into the cloud. And it’s not just any data. It’s a bedroom pop diary corrupted from love, tears, and chaos. This is Glitch Amour’s debut album “Love.exe” and isn’t just your typical polished pop curation. It’s bubblegum heartbreak wrapped in glitch and kawaii meltdown that’s energetic as hell. Glitch Amour is a