Jane N’ The Jungle does not hold back—they strive in blunt and striking sonic statements. With their newest hard rock metal single Parasite, they don’t just shout, they criticize with hard-hitting truths and disturbing realizations. Produced by Cameron Mizell (Machine Gun Kelly, Avril Lavigne, Jelly Roll), they deliver a piercing truth that is a must-listen. […]
You know how most debut singles feel like they’re trying really, really hard to sound like something you’ve already heard? This isn’t that. Lily Galin’s “What’s Your Story” somehow lands with the kind of clarity and emotional weight you normally only get from an artist on their third or fourth album; the point when they’ve
Some songs burst into the room like they’ve just kicked the door down with a confetti cannon. I’d Be A Fortune by Dedrick Soul is not that. This is the musical equivalent of someone sidling up to you at a crowded party, starting a story in a low voice, and by the time you’ve realized
Some collaborations feel like they were cooked up in a marketing department: everyone in matching outfits, smiling in front of a banner that says synergy, while someone in the corner is already working on the press release. SETSUNA is not that. SETSUNA is the musical equivalent of two strangers meeting at a bus stop, realising
Break-ups don’t always call for sad, melancholic melodies. Sometimes it just has to be in trap style with dynamic beats and ticking hi-hats. Munzer thrives in this energy, ringing with a teeth-clenching, catchy anthem Cold Stone. Hailing from Sydney, Australia, Munzer worked with BULLZEYE BEATS for production, adding his signature touch—and the result? A polished,
Munzer’s “Cold Stone” is an Emotional Collapse Dressed in Swag Read More »
There’s a different kind of comfort that comes from moments you know you’ll be damned. And the sound? Madness. The repetition, the destructive patterns, and the emotional turmoil it brings is perfectly translated into an 80s synth-rock anthem by Haus of Sound. Haus of Sound is a 5-piece alt-pop band from Seattle. When they step
Haus of Sound’s Madness is an ‘80s Synth-Rock Anthem to your Own Descent Read More »
So, I listened to an album called The Walrus, the Ninja, and the Gypsy from Sydney, and I’m pretty sure I accidentally unlocked a third eye I wasn’t aware I had. It’s by Black Astronaut Records, which is apparently not a record label but a collective, a consciousness, or possibly just one very determined person
Wild Stuff. But Hey, The Walrus, the Ninja, and the Gypsy From Sydney Is Just as Wild Read More »
The new song “Little Game” by Kris Kolls is cheeky, charming, and just the right amount of chaotic. It’s the musical equivalent of a slightly toxic situationship you know you shouldn’t be in but can’t help loving anyway. It captures the playfulness of a flirt gone too far, the emotional whiplash of texting someone you
Some songs will make you scream, some will make you spiral down. But with Lemonade, all you have to do is sit with it. No tension, no rush—just enough mood and volume to create space for your candid moments. Lemonade is one of the four tracks from Breakfast, the latest EP of Hong Kong-based indie
Weekend Mornings Should Sound Like “Lemonade” by Besides Read More »
So there’s this track. It’s called “I Found a Monster.” It’s by Seth Schaeffer, and listening to it is a bit like being emotionally waterboarded by your inner child. You know, the one who’s still mad you never learned to skateboard and occasionally dreams in grayscale. But, weirdly, in a good way. Like therapy, if