New Music

The West Virginia duo abandons their low-stakes origins for a blown-out alt-rock dirge that expertly balances crushing distortion with undeniable pop sensibilities A wall of fuzz crashes through the speakers before a single melody even registers. That opening guitar tone on Massing’s “Chemicals” is a noxious, deliberate choice, suffocating the bouncy rhythm section under a […]

“In an era of hyper-polished rock, ‘The Hammer Falls’ is a gritty, fist-pumping reminder of heavy metal’s primal roots.” Modern metal has become heavily digitized, overly quantized, and obsessed with either symphonic bombast or unlistenable dissonance. Rivetskull’s ‘The Hammer Falls’ arrives as a rejection of that sanitized future, reaching backward to a time when denim

“Steven Bridgewater delivers a shambolic, emotionally raw slice of outsider art that trades polished pop sheen for pure, nervous energy.” To promise a classic pop song while recording on what sounds like a busted four-track tape machine requires a special kind of ballsy gumption. Yet, that is precisely the territory independent artist Steven Bridgewater wades

“The independent outfit trades polite indie sensibilities for throat-shredding anxiety on their latest abrasive outing.” To promise an emotionally devastating debut without the backing of a major label requires a special kind of masochism, but that is exactly what independent outfit Guilt Show delivers on ‘Vaya Con Dios’. In a musical climate obsessed with sanitized,