“Sweet Melodies” is ViperSnatch’s first single in over a year, and it crashes through the silence like someone finally losing patience with being polite about their heartbreak. It’s a breakup song, yes, but not the “staring quietly at rain” kind; more like the kind where you slam the door so hard the drywall flinches. Written from the emotional rubble of broken promises and repetitive disappointment, the track feels like a cathartic purge disguised as a punk anthem. If 2024’s Therapy helped you sort through your feelings, “Sweet Melodies” helps you evict them with force.
What elevates the track is how clearly it shows ViperSnatch tightening and weaponizing the sound they’ve been cultivating since 2018: a Riot Grrrl trio characterized by powerful, break-your-heart vocals over punk-inspired chord progressions; agile, visceral drumming; and expressive, provocative bass playing. That description isn’t PR fluff; it’s practically a mission statement. Here, the band pushes those elements harder than ever. Lily’s vocals split the difference between confession and confrontation, bending from melodic ache into full-bodied fury without losing clarity. It’s a delivery shaped by riot-grrrl’s emotional directness but sharpened by years of watching modern alt-metal raise the ceiling for how intense vulnerability can sound.
Parallels to tracks like “End of You” (feat. Courtney LaPlante of Spiritbox, alongside the tonal lineage of Poppy and Amy Lee) really come through. “Sweet Melodies” shares that same emotional architecture; fragility carried by force, grief delivered as resistance, but ViperSnatch translate it through their own proudly scrappy, Queensland-grown lens. Instead of cinematic production or metalcore bombast, the band sticks to the raw tools of their scene and turns them into artillery. The chord progressions grind and shimmer like someone pacing a room they’ve memorized; Riley’s drumming snaps between restraint and eruption, sounding like a heartbeat that’s had enough; and Kailee’s bass doesn’t just support the mix; it prowls through it, adding a physical, almost narrative tension.
What’s most striking is how the trio refuse to clean up the edges. You can hear their riot-grrrl roots not as nostalgia, but as an ethos: music that breathes, bleeds, argues back. Instead of mimicking ’90s revival aesthetics, they channel the original spirit of women using noise, melody and righteous frustration as a form of self-defense and fuse it with a modern sense of emotional scale. The result is heavier, tighter, more deliberate, without sacrificing rawness.
By the end, “Sweet Melodies” isn’t asking for closure or catharsis; it takes them. Loudly. Messily. Triumphantly. The song doesn’t just document heartbreak; it wins the argument. And honestly, that’s the only kind of breakup anthem worth blasting.
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About the Author
A tenured media critic known working as a ghost writer, freelance critic for publications in the US and former lead writer of Atop The Treehouse. Reviews music, film and TV shows for media aggregators.
