FEATURED TRACKS

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Stephen Royal’s “Pray” is for the Willing and the Wounded
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If You Want Something That Feels Disturbingly Close to the Truth, Welcome to the Dead Internet
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Kevin Honold’s “Honey” Is Sticky-Sweet Romance Made For Slow, Sunday Afternoons
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Edie Yvonne’s “Nightmare” Is Alt-Pop Rock For Your Unhealthy Attachments
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“Falling in the Dark” Is One of Those Debut Tracks That Doesn’t Tiptoe Into the Room; It Saunters In, Flicks the Lights Off, and Goes, “Okay, We’re Doing Feelings Now.”
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Circle of Stone’s “Ghost of Tomorrow” Is Hard Rock With No Automation, All Edge
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“The World Inside” by The Iddy Biddies Is Playing Chess in a Game of Checkers
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Come Out Lazarus I – Life Is Over Is Cinematic, Emotional and Quietly Daring
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The Iddy Biddies’ “The World Inside” Isn’t Just A Concept, It’s A Manifestation Of What Makes Us Human
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By Embracing Distortion, Ambience and Melancholy, EL$ON Has Crafted a Project That Feels Cohesive and Emotionally Grounded.
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An Dan’s “Blood Flooded Song” EP Is A Cursed Legend In Heavy Metal
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“Even Steven” Is Playful, a Little Weird and Ultimately Sincere
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Giffy Plugo’s “Douda Deluxe” Isn’t Just Hip-Hop, It’s A Legacy
release radar
Release Radar: New Music You Should Check Out – 005
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What Ultimately Makes Omnesia’s “Dirty Love” Work Is Its Comfort With Contradiction
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Release Radar: New Music You Should Check Out – 004
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Jernej Zoran’s “Watching The World Go By” Feels Like a Sunlit Window on a Sunday Morning
release radar
Release Radar: New Music You Should Check Out – 003
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Vincent Projects Offers Something Refreshingly Straightforward: Heavy, Melodic, Theatrical Rock That Sounds Like It Escaped From Another Era and Decided to Stick Around
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Aseo Deogeo’s “Revenge” Stands Out Among Formulaic, Polished Debuts
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“Fire Escape” Stands Out by Being Patient and Deeply Human
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Anjalts’ “Summer is Gone” Gives You Retro-Pop For Colder, Bittersweet Nights
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“The Crow” Doesn’t Sound Tentative or Experimental; It Sounds Assured, Like the Work of an Artist Comfortable Inhabiting Emotional Gravity Without Apology
release radar
Release Radar: New Music You Should Check Out - 002
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“Thistroubledsoul” By Highroad No. 28 Is A Dark Alt-Rock That Is Bleak And Bruised
release radar
Release Radar - New Music You Should Check Out
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Chemicals by Moon Construction Kit Is the Alternative We Need
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“Love Is Everywhere” Lands Exactly as It Should; Gentle, Hopeful, and Quietly Profound
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Cali Tucker’s “Santa Baby” Will Make You Love Holidays More
Ollie Hunt
OLLIE HUNT Shows Growth with On and On
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In a Musical Landscape Increasingly Dominated by Immediacy and Optimization, Hearty Breakfast, Sensible Dinner Feels Almost Subversive in Its Steadiness
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“Sweet Melodies” Isn’t Asking for Closure or Catharsis; It Takes Them
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Apeiron Bound’s “Astral Reflection - Rebirth” Is Less Like A Track And More Of An Experience
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“Game of Love” Feels Like Michellar Letting Herself Have Fun in Public
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Ashon Galaxy’s “Don't Listen to Them” Burns On Feeling Over Logic
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Mark Anthony Bartolo Leans Into Restraint on “Up Brown”
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“Shout!” Has Fully Committed to Being a Feel-Good, Brass-Punching, Melody-Wielding Groove Machine
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K. Walsh’s New LP A Light in the Darkness Pushes His Sound Forward
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Hayden Calnin’s “Middle Night” Is Growth In Sound And A Life Fully Lived
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21 Grammi, the New Album From Giuseppe Cucè, Completely Disarmed Me
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The “From Ashes” EP by Red Skies Dawning Is Identity and Contrast Packaged Together
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Scott's Tees’ “We Move As Fast As Storms Allow” Carries The Storms And Dreams You’ve Lived
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Vincent Projects’ “Arcade Sunrise” Pulses Through Fractured Signals of Love and Longing
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The “In My Head” EP by CS Hellmann Is a Bold Move
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ØRBITA’s Debut Album “Gravity” Weaves a Synthwave Tapestry of Atmosphere and Emotion
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With Go Tell the Bees, Bastion’s Wake Doesn’t Just Level Up; They Arrive
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Love It All Has Become Something Larger Than Its Components: A Person
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GISKE’s “The Sound of Birdsong” Is A Hypnotic Folk-Pop Done Right
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Across Six Songs, Weiss Pokes at the Weird, Tender Machinery of Adulthood
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“Flowers” by Dirt Preachers Union and Joey Harris Is Uniquely Beautiful
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JulianTheGirl Unleashes Creative Vision In A Genre-Bending Collection “Tales From The Modem”
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“Forsaken” Is the Kind of Song That Sounds Like It Was Built in a Thunderstorm
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Melt Into Bren.d.o and Kendra Chanae’s Neon Lit “Electric Love Affair”
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Abyss16's “The Other CAR” Is Hip-Hop With Pride, Culture, And Bars
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“Wasteland Whispers" Is Quiet, Deliberate, and Utterly Disarming in Its Refusal to Dress Pain Up as Spectacle
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“Somebody's Always Doin' Something 2 Somebody” Is True And DownTown Mystic Knows It Too Well
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Blind Man’s Daughter's “Harbor Boulevard” Sounds Like Memory Itself
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MayaAgnes’ “Starve” Isn’t Pretty, It Hurts And Breaks Free
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“The Ones Remembered” Is Proof That Sincerity Still Matters, Even When Written in Binary
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By the End, “Truth Over Lies” Feels Like a Conversation That’s Still Happening After the Song
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Play Trueclaw’s “One Road” If You're Learning To Love Your Own Rhythm
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Lisa Lim’s “Lucky One” Doesn’t Reinvent Anything; It Doesn’t Need To
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“Great Escape Famine” Shouldn’t Work but It Does, Spectacularly
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Cody Hamm’s “Beauty Runs Wild” Is Adoration Flowing Steady And Slow
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Shervin Boloorian's Newest Track, "My Free Heart," Is Simple Yet Uplifting
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LaCosta Tucker’s “Woman Behind the Wheel” Is For Every Woman Who Keeps Life In Motion
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Amara Fe's “SHIFT” Overflows With Power, Presence, and Pop Bliss
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DA//TE Isn’t Here To Hide The Pain With “All that’s left”
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Sophia B’s “Can’t Erase” Is A Cruel Reminder That Forgetting Is Harder Than Goodbye Itself
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Kindé's Debut EP, Letters in Love, Is Storytelling in Its Original Context
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“To The Bitter End” by Dan Rose Is Folk That Could Spark An Ignition
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K-Syran’s “Just A Kiss” Brings Bliss, Bop, and Feels
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Harry Kappen’s “The Longing” Holds Too Much To Be Forgotten
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quilium's “holy shit” Thrives On Impulse Than Predictability
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roar taylor’s “kostner” carries the DNA of hip-hop
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"It Was Written" Is Designed to Sit With You, Like an Afterimage Burned Into Your Vision
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Eylsia Nicolas’ “A Beautiful Mess” Will Make You Dive Headfirst Into The Flame
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Dee Dasher’s Conscious Home May Be a Debut, but It Carries a Timelessness That Feels Far Beyond First Steps
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Why “Falling 4 U” Works: It Doesn’t Try to Be Anything Other Than Devastatingly Earnest
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Michellar’s “Never Say Sorry” is heartbreak and forgiveness in restraint
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Here’s the Thing About Different Now: It Thrives in Contradiction
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Breakups Don’t Often Feel Clean; Neither Does Wotts’ Terminal and That’s What Makes It Stick
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BruceBan$hee Doubles Down on Something Simpler and Riskier: Sincerity Through Chaos
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Chris Portka’s “The Album Everyone Wants” is a Memoir to the Strange, Unnoticed Edges of the American Songbook
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Jordan Corey's Newest Album, "The Tunnel + The Light" Is an Exploration of What It Means to Be an Artist Today
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Transgalactica’s “Joyce Of The Market” Archives Coffin Ships to Corporate Horns
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“Bread & Circuses” Is Jagged, Haunting, and Utterly Committed to Its Own Vision
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PEOPLEZ330’s Grace First Swings Between Moods and Genres With Reckless Confidence
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Edie Yvonne’s “Look Me In The Eye” Sounds Like An Oddly Familiar Feeling of Being Unseen
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“Jennifer’s Body” By ninemansion Is Toxic Affair With 808s Swag
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“Better Than Gold” Is Unabashedly Earnest, and in Today’s Climate, That Feels Borderline Radical
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JWondr’s SummrWondr Isn’t Perfect; It’s Sticky, Overwhelming, Fleeting and It Makes It Sound Good
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Who Let The Dogs Out? The House Flies Did With "Sweet Foxhound"
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Ultimately, John Keenan’s Wreckage of the Past Isn’t Trying to Reinvent Hip-Hop; It’s Trying to Reclaim It
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At Its Best, Carpe Diem’s Dream Odyssey Transports You to a Great Big Adventure
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“Liberal Anthem” Is a Prog-Rock Sermon That Says, Quite Plainly, the World Could Be Better, and We Should Probably Do Something About That
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Glitch Amour's “Love.exe” Is Heartbreak In Bubblegum Glitch
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Forget the Angst and Grit, Adulting Sometimes Sounds Like “Solo” by Tim
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At Its Core, Sehore’s Husfikbur Is a Continuation of a Project Designed to Stir Conscience
LTLK Skill Check
LTLK Brings Global Voices Together on Skill Check Mixtape