FEATURED TRACKS

tthujo (1)
One Step at a Time Is a Record About Healing, Transformation, and Slowly Putting Yourself Back Together Like an IKEA Shelf That Came Without Instructions
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Kaliopi & The Blues Messengers’ Latest Single, One Woman One Love, Arrived Like a Well-Dressed Blues Sermon
release radar
Release Radar: New Music You Should Check Out – 007
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“FURTIVA” Works Because It Knows Exactly What It Wants to Be: a Midnight Getaway in Audio Form
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Marzoña’s Newest Album, “Love Songs for Colder Weather” Is Musician Pop Personified
VOICES (1)
Valiancy’s Newest Track, “Voices,” Is the Purest Art You’ll Ever Hear
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Soundtrackk’s Newest Track, “Whip” Is a Guaranteed Hit
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Energy Whores Deliver Something Sharper, Louder, Smarter, and Crucially, Fun on Arsenal of Democracy
wuygfuejherj (1)
Brock Davis Isn’t Writing From Despair or Nostalgia on Nothing Lasts Forever
eduihdjhng (1)
Douby Is Dance Music That Understands Its Job and Does It Extremely Well
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Where Did the Music Go Is One of Those Albums That Shows Up Knowing Exactly What It Wants to Argue
Karma_Smile (1)
Karma Smile Isn’t an Easy Album, Emotionally or Mentally, and It Doesn’t Try to Be
release radar
Release Radar: New Music You Should Check Out – 006
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Stephen Royal’s “Pray” is for the Willing and the Wounded
gehgjdb (1)
If You Want Something That Feels Disturbingly Close to the Truth, Welcome to the Dead Internet
Honey_V2 (1)
Kevin Honold’s “Honey” Is Sticky-Sweet Romance Made For Slow, Sunday Afternoons
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Edie Yvonne’s “Nightmare” Is Alt-Pop Rock For Your Unhealthy Attachments
Dean_Rok (1)
“Falling in the Dark” Is One of Those Debut Tracks That Doesn’t Tiptoe Into the Room; It Saunters In, Flicks the Lights Off, and Goes, “Okay, We’re Doing Feelings Now.”
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Circle of Stone’s “Ghost of Tomorrow” Is Hard Rock With No Automation, All Edge
wjhdjf (1)
“The World Inside” by The Iddy Biddies Is Playing Chess in a Game of Checkers
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Come Out Lazarus I – Life Is Over Is Cinematic, Emotional and Quietly Daring
wjhdjf (1)
The Iddy Biddies’ “The World Inside” Isn’t Just A Concept, It’s A Manifestation Of What Makes Us Human
cffvh (1)
By Embracing Distortion, Ambience and Melancholy, EL$ON Has Crafted a Project That Feels Cohesive and Emotionally Grounded.
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An Dan’s “Blood Flooded Song” EP Is A Cursed Legend In Heavy Metal
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“Even Steven” Is Playful, a Little Weird and Ultimately Sincere
yfuhje (1)
Giffy Plugo’s “Douda Deluxe” Isn’t Just Hip-Hop, It’s A Legacy
release radar
Release Radar: New Music You Should Check Out – 005
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What Ultimately Makes Omnesia’s “Dirty Love” Work Is Its Comfort With Contradiction
release radar
Release Radar: New Music You Should Check Out – 004
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Jernej Zoran’s “Watching The World Go By” Feels Like a Sunlit Window on a Sunday Morning
release radar
Release Radar: New Music You Should Check Out – 003
wgyf (1)
Vincent Projects Offers Something Refreshingly Straightforward: Heavy, Melodic, Theatrical Rock That Sounds Like It Escaped From Another Era and Decided to Stick Around
hwdujhf (1)
Aseo Deogeo’s “Revenge” Stands Out Among Formulaic, Polished Debuts
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“Fire Escape” Stands Out by Being Patient and Deeply Human
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Anjalts’ “Summer is Gone” Gives You Retro-Pop For Colder, Bittersweet Nights
genomtrdkronornachildrenofmine (1)
“The Crow” Doesn’t Sound Tentative or Experimental; It Sounds Assured, Like the Work of an Artist Comfortable Inhabiting Emotional Gravity Without Apology
release radar
Release Radar: New Music You Should Check Out - 002
TTS2 (1)
“Thistroubledsoul” By Highroad No. 28 Is A Dark Alt-Rock That Is Bleak And Bruised
release radar
Release Radar - New Music You Should Check Out
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Chemicals by Moon Construction Kit Is the Alternative We Need
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“Love Is Everywhere” Lands Exactly as It Should; Gentle, Hopeful, and Quietly Profound
Santa_Baby (1)
Cali Tucker’s “Santa Baby” Will Make You Love Holidays More
Ollie Hunt
OLLIE HUNT Shows Growth with On and On
wyuwhf (1)
In a Musical Landscape Increasingly Dominated by Immediacy and Optimization, Hearty Breakfast, Sensible Dinner Feels Almost Subversive in Its Steadiness
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“Sweet Melodies” Isn’t Asking for Closure or Catharsis; It Takes Them
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Apeiron Bound’s “Astral Reflection - Rebirth” Is Less Like A Track And More Of An Experience
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“Game of Love” Feels Like Michellar Letting Herself Have Fun in Public
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Ashon Galaxy’s “Don't Listen to Them” Burns On Feeling Over Logic
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Mark Anthony Bartolo Leans Into Restraint on “Up Brown”
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“Shout!” Has Fully Committed to Being a Feel-Good, Brass-Punching, Melody-Wielding Groove Machine
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K. Walsh’s New LP A Light in the Darkness Pushes His Sound Forward
ufui
Hayden Calnin’s “Middle Night” Is Growth In Sound And A Life Fully Lived
ftgjg
21 Grammi, the New Album From Giuseppe Cucè, Completely Disarmed Me
duhuf
The “From Ashes” EP by Red Skies Dawning Is Identity and Contrast Packaged Together
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Scott's Tees’ “We Move As Fast As Storms Allow” Carries The Storms And Dreams You’ve Lived
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Vincent Projects’ “Arcade Sunrise” Pulses Through Fractured Signals of Love and Longing
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The “In My Head” EP by CS Hellmann Is a Bold Move
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ØRBITA’s Debut Album “Gravity” Weaves a Synthwave Tapestry of Atmosphere and Emotion
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With Go Tell the Bees, Bastion’s Wake Doesn’t Just Level Up; They Arrive
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Love It All Has Become Something Larger Than Its Components: A Person
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GISKE’s “The Sound of Birdsong” Is A Hypnotic Folk-Pop Done Right
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Across Six Songs, Weiss Pokes at the Weird, Tender Machinery of Adulthood
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“Flowers” by Dirt Preachers Union and Joey Harris Is Uniquely Beautiful
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JulianTheGirl Unleashes Creative Vision In A Genre-Bending Collection “Tales From The Modem”
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“Forsaken” Is the Kind of Song That Sounds Like It Was Built in a Thunderstorm
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Melt Into Bren.d.o and Kendra Chanae’s Neon Lit “Electric Love Affair”
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Abyss16's “The Other CAR” Is Hip-Hop With Pride, Culture, And Bars
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“Wasteland Whispers" Is Quiet, Deliberate, and Utterly Disarming in Its Refusal to Dress Pain Up as Spectacle
DTM_Somebody_Cover_1500 (1)
“Somebody's Always Doin' Something 2 Somebody” Is True And DownTown Mystic Knows It Too Well
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Blind Man’s Daughter's “Harbor Boulevard” Sounds Like Memory Itself
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MayaAgnes’ “Starve” Isn’t Pretty, It Hurts And Breaks Free
The_Ones_Remembered (1)
“The Ones Remembered” Is Proof That Sincerity Still Matters, Even When Written in Binary
Truth_over_lies (1)
By the End, “Truth Over Lies” Feels Like a Conversation That’s Still Happening After the Song
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Play Trueclaw’s “One Road” If You're Learning To Love Your Own Rhythm
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Lisa Lim’s “Lucky One” Doesn’t Reinvent Anything; It Doesn’t Need To
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“Great Escape Famine” Shouldn’t Work but It Does, Spectacularly
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Cody Hamm’s “Beauty Runs Wild” Is Adoration Flowing Steady And Slow
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Shervin Boloorian's Newest Track, "My Free Heart," Is Simple Yet Uplifting
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LaCosta Tucker’s “Woman Behind the Wheel” Is For Every Woman Who Keeps Life In Motion
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Amara Fe's “SHIFT” Overflows With Power, Presence, and Pop Bliss
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DA//TE Isn’t Here To Hide The Pain With “All that’s left”
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Sophia B’s “Can’t Erase” Is A Cruel Reminder That Forgetting Is Harder Than Goodbye Itself
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Kindé's Debut EP, Letters in Love, Is Storytelling in Its Original Context
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“To The Bitter End” by Dan Rose Is Folk That Could Spark An Ignition
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K-Syran’s “Just A Kiss” Brings Bliss, Bop, and Feels
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Harry Kappen’s “The Longing” Holds Too Much To Be Forgotten
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quilium's “holy shit” Thrives On Impulse Than Predictability
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roar taylor’s “kostner” carries the DNA of hip-hop
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"It Was Written" Is Designed to Sit With You, Like an Afterimage Burned Into Your Vision
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Eylsia Nicolas’ “A Beautiful Mess” Will Make You Dive Headfirst Into The Flame
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Dee Dasher’s Conscious Home May Be a Debut, but It Carries a Timelessness That Feels Far Beyond First Steps
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Why “Falling 4 U” Works: It Doesn’t Try to Be Anything Other Than Devastatingly Earnest
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Michellar’s “Never Say Sorry” is heartbreak and forgiveness in restraint
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Here’s the Thing About Different Now: It Thrives in Contradiction
wotts_terminal_smol (1)
Breakups Don’t Often Feel Clean; Neither Does Wotts’ Terminal and That’s What Makes It Stick
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BruceBan$hee Doubles Down on Something Simpler and Riskier: Sincerity Through Chaos
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Chris Portka’s “The Album Everyone Wants” is a Memoir to the Strange, Unnoticed Edges of the American Songbook
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Jordan Corey's Newest Album, "The Tunnel + The Light" Is an Exploration of What It Means to Be an Artist Today
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Transgalactica’s “Joyce Of The Market” Archives Coffin Ships to Corporate Horns
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“Bread & Circuses” Is Jagged, Haunting, and Utterly Committed to Its Own Vision